Children's Literature 2004
DOI: 10.1057/9780230523777_5
|View full text |Cite
|
Sign up to set email alerts
|

The Implied Reader. Response and Responsibility: Theories of the Implied Reader in Children’s Literature Criticism

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0
1

Year Published

2007
2007
2021
2021

Publication Types

Select...
4
1

Relationship

0
5

Authors

Journals

citations
Cited by 5 publications
(2 citation statements)
references
References 1 publication
0
1
0
1
Order By: Relevance
“…As discussed above, the characters in the texts, who vacillate between being respected insiders and alienated outsiders throughout the series, often demonstrate the sort of critical thinking that fans take up (Booth, 2015). If implied readers are constructed not outside of but with and through a text (Cocks, 2004), and if we accept that Harry Potter celebrates the marginalized, the odd, and the nonnormative, so too must we consider that Harry Potter not only invites marginalized readers and readings but also invites readers to identify as and/or empathize with those who are marginalized.…”
Section: Fannish Transformationsmentioning
confidence: 99%
“…As discussed above, the characters in the texts, who vacillate between being respected insiders and alienated outsiders throughout the series, often demonstrate the sort of critical thinking that fans take up (Booth, 2015). If implied readers are constructed not outside of but with and through a text (Cocks, 2004), and if we accept that Harry Potter celebrates the marginalized, the odd, and the nonnormative, so too must we consider that Harry Potter not only invites marginalized readers and readings but also invites readers to identify as and/or empathize with those who are marginalized.…”
Section: Fannish Transformationsmentioning
confidence: 99%
“…Nesse sentido, Neumann (2002) realça que um diário consubstanciase à luz de normas epistemológicas, de conteúdo ou de forma, em geral inacessíveis a outros gêneros literários. Em geral, o autor escreve com o objetivo de publicar, materializa-se como uma escrita intencional, ou seja, o escritor escreve com a presença de um leitor implícito (Cocks, 2004;Schmid, 2009); a escrita é direcionada a alguém (interlocutor), realçando Kristeva (1969) que os textos literários apresentam, em larga medida, uma tessitura de natureza polifônica, à luz da qual " [...] that texts can be read in a number of a different ways, not just in one correct way" (Cocks, 2004, p. 111).…”
unclassified