The
            <i>Kebo Ketan</i>
            ritual art as a communication process in delivering the message of social cohesiveness in the Sekaralas village community, Ngawi, East-Java

Parani, Rizaldi; Hubner, Ira Brunchilda; Juliana,; Purba, Herman

doi:10.1080/23311886.2023.2297724

Cited by 2 publications

(1 citation statement)

References 41 publications

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“…On the other hand, a larger group of six articles addresses adaptability (Binson et al, 2024;Liu, 2023;Muhamad & Destianto, 2022;Parani et al, 2024;Shahnaz & Muhamad, 2022;Zhang, 2021), underscoring the importance of cultural tourism sectors ability to respond to changing environmental, social, and technological contexts. This adaptability is crucial for destinations to maintain relevance and competitiveness in the global tourism market, ensuring they can quickly adjust to both global trends and local needs.…”

Section: Adaptabilitymentioning

confidence: 99%

Performing Arts in the Landscape of Cultural Tourism: A Mini-Review

Mazlan,

Abdullah,

Hashim

et al. 2024

Intl. J. Rel.

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Cultural tourism represents a significant sector with considerable economic and educational benefits for both domestic and international visitors. Despite its intersection with various disciplines, the integration of performing arts within this domain remains underexplored. This mini-review employs the PRISMA methodology to systematically analyze data retrieved from the Scopus database, providing a structured insight into the existing literature. The findings reveal that while performing arts are acknowledged as a component of cultural tourism, their potential impact is not extensively documented. Nevertheless, this review identifies three core conceptual themes—sustainability, adaptability, and authenticity—that are essential to understanding the role of performing arts in enhancing the cultural tourism experience. These themes suggest a framework for future research and the strategic development of cultural tourism initiatives that harness the transformative power of performing arts.

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Section: Adaptabilitymentioning

confidence: 99%

Performing Arts in the Landscape of Cultural Tourism: A Mini-Review

Mazlan,

Abdullah,

Hashim

et al. 2024

Intl. J. Rel.

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Art performance as a political communication tool in Indonesia: beyond the stage

Mahfud,

Purwasito,

Warto

et al. 2024

IJSSP

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PurposeThis retrospective phenomenological case study examines the experiences of 18 politicians who participated in a political campaign using performing arts and artists in a regional heads and legislators in Indonesia. Also, the role of Gandrung art as a performing art is becoming a political communication tool for political actors in Indonesia.Design/methodology/approachThis study employs a retrospective phenomenological case. The informants recruited were 18 politicians who have local, regional and national political levels. The participants were interviewed about their experiences of campaigning using traditional performing arts as a form of political communication. Data collection techniques used in this study include interviews and photo documentation during the campaign process to triangulate findings.FindingsBased on a case study analysis and through thematic analysis, this research reveals three emerging themes which indicate that performing arts function as political communication tools in three significant ways: (1) as a form of artistic expression for conveying political messages through movement and the use of dancer costumes; (2) as a medium for showcasing cultural identity and representation as a form of concern for the local culture of voters; and (3) as a means to garner mass appeal and propagate political propaganda.Research limitations/implicationsThe study has two limitations. First, the study only interviewed a small number of participants. Thus, generalization for wider contexts of politicians is not possible. Second, the study focuses on examining the voice of politicians and analyzing it using thematic analysis.Originality/valueThere is a scarcity of research that specifically focuses on uncovering the perspectives of politicians who employ performing arts as a political communication tool. This study contributes to the understanding that art performance is inherently non-neutral, highlighting how performing arts can actively engage in political communication by conveying messages, shaping cultural identity and influencing public opinion in the context of Indonesia.

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The Kebo Ketan ritual art as a communication process in delivering the message of social cohesiveness in the Sekaralas village community, Ngawi, East-Java

Cited by 2 publications

References 41 publications

Performing Arts in the Landscape of Cultural Tourism: A Mini-Review

Performing Arts in the Landscape of Cultural Tourism: A Mini-Review

Art performance as a political communication tool in Indonesia: beyond the stage

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