2010
DOI: 10.4000/ces.8312
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The Horizon in The God of Small Things by Arundhati Roy: A Poetics of Lines

Abstract: Publisher SEPC (Société d'études des pays du Commonwealth)

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“…A host of critics has judged the narrative technique used by Roy in The God of Small Things. Written in a style verging on magical realism, the novel features nonlinear chronology, fragmented flashbacks, and linguistic inventiveness to relate the story of the oppressed and the oppressor (Sacksick, 2010). Through a series of broken sentences, bizarre phraseology, ungrammatical constructions and conventional rhythm, she scintillatingly entertains and awakens the readers from their torpor (Sacksick, 2010;Surendran, 2000).…”
Section: Literature Reviewmentioning
confidence: 99%
“…A host of critics has judged the narrative technique used by Roy in The God of Small Things. Written in a style verging on magical realism, the novel features nonlinear chronology, fragmented flashbacks, and linguistic inventiveness to relate the story of the oppressed and the oppressor (Sacksick, 2010). Through a series of broken sentences, bizarre phraseology, ungrammatical constructions and conventional rhythm, she scintillatingly entertains and awakens the readers from their torpor (Sacksick, 2010;Surendran, 2000).…”
Section: Literature Reviewmentioning
confidence: 99%