1990
DOI: 10.2307/851697
|View full text |Cite
|
Sign up to set email alerts
|

The Highland Bagpipe and Its Music

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2007
2007
2007
2007

Publication Types

Select...
1

Relationship

0
1

Authors

Journals

citations
Cited by 1 publication
(1 citation statement)
references
References 0 publications
0
1
0
Order By: Relevance
“…Highland Laddie was known in the eighteenth century as a lively danceable spring to which various (usually Jacobite) sets of words were sung 62 ; The Campbells are Coming seems to have started off life as a jig. 63 Neither Keegan (I shouldn't think) nor I would deny that pipers, before the late eighteenth century, accompanied soldiers as they were marching -just as in Hogarth's March to Finchley, a drummer and fifer accompany those redcoats who are "shambling along." The evidence for this begins with Holinshed's glimpse of Henry VIII's Irish mercenaries: "In the moneth of Maie [1544] .…”
Section: Scottish Tradition Vol 25 2000mentioning
confidence: 99%
“…Highland Laddie was known in the eighteenth century as a lively danceable spring to which various (usually Jacobite) sets of words were sung 62 ; The Campbells are Coming seems to have started off life as a jig. 63 Neither Keegan (I shouldn't think) nor I would deny that pipers, before the late eighteenth century, accompanied soldiers as they were marching -just as in Hogarth's March to Finchley, a drummer and fifer accompany those redcoats who are "shambling along." The evidence for this begins with Holinshed's glimpse of Henry VIII's Irish mercenaries: "In the moneth of Maie [1544] .…”
Section: Scottish Tradition Vol 25 2000mentioning
confidence: 99%