The Hero’s Journey: 12 Stages in The Narrative of Animation Boboiboy Movie 2

Wong, Oscar Gordon; Achin, Imelda Ann

doi:10.31091/mudra.v36i3.1580

Cited by 2 publications

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“…In this literary work, the productions are not only illustrations but also animations that describe and illustrate the messages in the form of audiovisuals that have information and aesthetic value in line with the target audience. Animation can attract and reach interest and influence the acceptance of the audience (Wong & Achin, 2021). The work mechanism of the animation transforms the form by presenting a moving impression.…”

Section: Picture 6 the First Storyboardmentioning

confidence: 99%

Artistic Research: Animation Design Adapted from Buya Hamka’s Poetry Literature

Husna

2024

IJMMU

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This research aims to conceptualize the creation of animation with the object of Buya Hamka's poetry and visualize the creation of animation with the object of Buya Hamka's poetry. This creation is a form of adaptation of Buya Hamka's poetry which has aspects of character education as a culture of national values. This method of research is practice-led research that focuses on the scientific writing of the creation and reflection of new artworks through artistic research. The flow of the creation method uses the pre-image, image-abstract, and image-concrete stages by Hendriyana (2018) with the approach of Graham Wallas' (1926) creative process theory in his book The Art of Thought. The creative process involves four stages: preparation, incubation, illumination (inspiration stage), and verification (proof or testing stage). This research conducted the process of exploration and experimentation approach from empirical experience. The results of this research show the concept of animation creation in the form of designing works in the form of poetry animation and visualization using digital audio-visual techniques. This animation is conceptualized technically with the same title as the poetry “Biar Mati Badanku Kini". The target audience is children aged 12-15 years, which is equivalent to junior high school level. Therefore, this animation hopes to represent the poetry by Buya Hamka and become a way to convey education, messages, ideas, and feelings contained in it. This animation is done with a canvas layer size of 48x27 cm with a total of five scenes.

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Section: Picture 6 the First Storyboardmentioning

confidence: 99%

Artistic Research: Animation Design Adapted from Buya Hamka’s Poetry Literature

Husna

2024

IJMMU

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“…Di Malaysia, konsep seni adalah satu bidang seni yang semakin berkembang. Ini dibuktikan apabila banyak produksi tempatan telah menghasilkan filem-filem animasi daripada tahun 1998 iaitu Silat Lagenda (1998) sehinggalah Ejen Ali: The Movie (2019) (Wong & Achin, 2021b). Melalui konsep seni yang matang, ianya mampu menggambarkan watak dalam aksi, membayangkan peristiwa penting dan mempamer sejarah lokasi dalam animasi tersebut.…”

Section: Pengenalanunclassified

KONSEP LATAR SET DALAM FILEM ANIMASI UPIN & IPIN KERIS SIAMANG TUNGGAL: SATU ANALISIS INTERPRETASI KOMPOSISI

Cristhiee Shenna Chin,

Imelda Ann Achin

2024

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Konsep seni yang berkualiti tinggi serta penceritaan yang menarik perhatian penonton telah berjaya membawa filem animasi Upin & Ipin: Keris Siamang Tunggal oleh Les’ Copaque yang dikeluarkan pada tahun 2019, sekaligus disenaraikan dalam Anugerah Oscar. Walaupun tidak disenaraikan dalam pencalonan akhir, kejayaan ini telah mengharumkan nama negara diperingkat antarabangsa kerana ini membuktikan bahawa industri filem animasi negara mampu bersaing dengan negara lain. Namun begitu, idea dan imaginasi yang kreatif adalah penting bagi menghasilkan konsep seni yang berkualiti tetapi ramai artis konsep seni masih mengalami masalah dalam menjana idea. Oleh itu, objektif utama dalam penulisan bertujuan untuk menganalisis konsep latar set filem animasi Upin & Ipin: Keris Siamang Tunggal dengan menggunakan pendekatan interpretasi komposisi yang diperkenalkan oleh Rose (2016). Melalui pendekatan ini, konsep latar set dihuraikan melalui elemen-elemen yang terdapat dalam interpretasi komposisi. Hasil kajian ini mendapati bahawa konsep latar set dalam filem animasi Upin & Ipin: Keris Siamang Tunggal banyak menggunakan ilustrasi konsep seni yang berinspirasikan elemen makanan tempatan. Diharapkan kajian ini dapat membantu artis konsep seni tempatan untuk menghasilkan konsep seni kerana kualiti filem animasi bermula daripada konsep seni yang baik. Kata kunci: konsep seni, latar set, animasi, Upin & Ipin ABSTRACT The high-quality art concept and storytelling that captures the audience's attention have successfully brought the animated film Upin & Ipin: Keris Siamang Tunggal by Les' Copaque, released in 2019, to be listed in the Oscar Awards. Although not listed in the final nomination, this success has made the country's name international because it proves that the country's animation film industry is able to compete with other countries. However, creative ideas and imagination are important to produce quality concept art but many concept art artists still experience problems in generating ideas. Therefore, the main objective in the writing aims to analyze the background concept of the animated film Upin & Ipin: Keris Siamang Tunggal by using the compositional interpretation approach introduced by Rose (2016). Through this approach, the concept of the set background is explained through the elements found in the interpretation of the composition. The results of this study found that the set background concept in the animated film Upin & Ipin: Keris Siamang Tunggal uses a lot of illustrations of art concepts that inspire elements of local food. It is hoped that this study can help local art concept artists to produce art concepts because the quality of animated films starts from a good art concept. Keywords: concept art, setting, background concept, animation, Upin & Ipin

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The Hero’s Journey: 12 Stages in The Narrative of Animation Boboiboy Movie 2

Cited by 2 publications

References 0 publications

Artistic Research: Animation Design Adapted from Buya Hamka’s Poetry Literature

Artistic Research: Animation Design Adapted from Buya Hamka’s Poetry Literature

KONSEP LATAR SET DALAM FILEM ANIMASI UPIN & IPIN KERIS SIAMANG TUNGGAL: SATU ANALISIS INTERPRETASI KOMPOSISI

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