2004
DOI: 10.1017/s0021088900001716
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The “head of the enemy” in the sculptures from the palaces of Nineveh: An example of “cultural migration”?

Abstract: The choice of this subject originates from the fact that the area of research to which I have been devoting myself recently includes the figurative cultures of Mesopotamia and Syria in the Early Dynastic and the Early Syrian periods, specifically in the field of war. Some of the data resulting from this research focus on the representation of the “head of the enemy”, which appears repeatedly in the documentation of the second millennium BC in Syria but so far seems to be absent in contemporary Mesopotamia. Des… Show more

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Cited by 5 publications
(2 citation statements)
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“…2400 v. Chr., s. Dolce 2004, fig. 6 und 7 Darstellung von besiegten Gegnern und köpfen, die Soldaten wegtragen; s. auch archi 1998, 393ff.).…”
Section: Das Enthaupten (Als Racheakt Oder Sanktion)unclassified
“…2400 v. Chr., s. Dolce 2004, fig. 6 und 7 Darstellung von besiegten Gegnern und köpfen, die Soldaten wegtragen; s. auch archi 1998, 393ff.).…”
Section: Das Enthaupten (Als Racheakt Oder Sanktion)unclassified
“…The imagery that underscores these exploits is equally selective, never showing the deaths of Assyrians but displaying graphically those of enemies. Enemy rulers are skinned alive, put on stakes and beheaded (figure 5; Bahrani, 2008;Crouch, 2009;Fuchs, 2009), while soldiers retrieve the heads of the adversarial army in order to collect remuneration (Dolce, 2003). In contrast to royal annals, letters from administrative offices in the network nodes address shorter-term governmental problems.…”
Section: Constructions Of Assyrian Imperialismmentioning
confidence: 99%