The grass is moving but there is no wind: Common worlding with elf/child relations

Murphy, Angela Molloy

doi:10.1080/15505170.2021.1911890

Cited by 4 publications

(1 citation statement)

References 31 publications

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“…As common worlds scholars like Taylor and Pacini‐Ketchabaw seek to resituate understandings of human agency, knowledge, and learning as “entangled with those of other beings, non‐living entities, technologies, elements, discourses, forces, landforms” (Common Worlds Research Collective, n.d.), they move between methodological, ethnographic, and pedagogical concerns. They story the particular, studying children's more‐than‐human encounters with place (Blaise & Hamm, 2022; Merewether et al., 2022; Nxumalo, 2015; Pacini‐Ketchabaw, 2013), the material and immaterial (Harwood & Collier, 2017; Land et al., 2020; Molloy Murphy, 2021; Rautio, 2013), and other species (Gannon, 2017; Nxumalo & Pacini‐Ketchabaw, 2017; Taylor & Pacini‐Ketchabaw, 2015). They question the grounds on which educators and children might live and learn with more‐than‐human intelligences, agencies, and relations, and explore reasonings and remonstrations that overflow human‐centered discourses of (primarily environmental) education.…”

Section: Storied Worldsmentioning

confidence: 99%

Gopher Tales: Re/Storying for Re/Worlding

Lenters,

Mosher

2024

Reading Research Quarterly

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This article is premised on the idea that storytelling and storytelling pedagogies have material and ethico-political implications for children and those with whom they share the world -in the small moments of their everyday experiences and in how they are read, written, and positioned as inheritors of social worlds and cultural narratives. Accordingly, in the context of an outdoor literacy program for young children, conducted over two summers, we consider the pedagogies enacted in two storied play encounters and the stories told with/in them. We ask, "What stories composed the material-discursive worlds of the children's play?" and "What kinds of worlds were animated through the storied play?" The study is guided by posthuman socio-material assemblage perspectives that understand the human and more-than-human world as existing in non-hierarchical relation to one another. Our analysis engages with the concept of mycelia, making the case for the mycelial network, rather than the rhizome (a mainstay of post-qualitative educational research over the past two decades or more) as a methodological construct. Our findings, presented as two troubled stories of contaminated diversity, animate in/ visible encounters in the storied worlds of settler futurity and what we come to call emergent reciprocity. Through an exploration of these entanglements, we ultimately make the arguments that the stories we tell in a particular place shape what ensues in that place and that the re/storying of such narratives (both larger cultural narratives and moment-tomoment play narratives) offer possibility for being and doing otherwise in that place. Gopher Tales: Re/Storying for Re/WorldingActual contact between living children and animals is never outside of a discursive/semiotic context. There is always a cultural inheritance that precedes the encounter and shapes it in some sort of way. In the case of child-animal entanglements, this often comes from the animal narratives that proliferate in children's fiction and popular culture. (Taylor & Pacini-Ketchabaw, 2019, p. 4) In this article, we consider the affective contact zones assembled in interspecies encounters between animals, weeds, children, and educators. Taylor and Pacini-Ketchebaw's statement echoes throughout, as we examine human and more-than-human encounters preceded and shaped by particular cultural inheritances in a Canadian context. Rather than considering the relationship of these encounters to children's fiction and popular culture, we take another trajectory, connecting the narratives at work in our child-animal entanglements to cultural narratives associated with Canada's ongoing relationship with coloniality.In her book, Villain, Vermin, Icon, Kin: Wolves and the Making of Canada (2022), animal geographies scholar, Stephanie Rutherford, traces four conceptualizations of the wolf across time and space in the place

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