Seamus Heaney 1997
DOI: 10.1007/978-1-349-10682-0_10
|View full text |Cite
|
Sign up to set email alerts
|

The Government of the Tongue

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
16
0
1

Year Published

1997
1997
2017
2017

Publication Types

Select...
5
5

Relationship

0
10

Authors

Journals

citations
Cited by 49 publications
(19 citation statements)
references
References 1 publication
0
16
0
1
Order By: Relevance
“…He has none…' I'm not sure I would be so adamant as that; I'm more with Heaney when he says 'there is a certain jubilation and truancy at the heart of an inspiration' (Heaney 1988, page xviii; my emphasis): I take him to mean the spirit of transgression that 'rebels against phonemic authority ' (Appelbaum 1990, page 44), that joyfully critiques and resists a sullen and diminished reality, that is evocative, emotive, empathic, emancipatory. Arts-based research approaches clearly share in such educative desires.…”
Section: Methods Of 'Redress'mentioning
confidence: 99%
“…He has none…' I'm not sure I would be so adamant as that; I'm more with Heaney when he says 'there is a certain jubilation and truancy at the heart of an inspiration' (Heaney 1988, page xviii; my emphasis): I take him to mean the spirit of transgression that 'rebels against phonemic authority ' (Appelbaum 1990, page 44), that joyfully critiques and resists a sullen and diminished reality, that is evocative, emotive, empathic, emancipatory. Arts-based research approaches clearly share in such educative desires.…”
Section: Methods Of 'Redress'mentioning
confidence: 99%
“…54 Delivered in 1986, Heaney's lecture is a prescient retreat from neoliberal logics of production and consumption: poetry 'does not propose to be instrumental or effective', he insists; it is 'practically useless', almost without function, and yet concerned with action. That action is, quite simply, the reciprocal gaze of viewer/ photograph, reader/poem since poetry functions 'as pure concentration, a focus where our power to concentrate is concentrated back on ourselves'.…”
Section: Michaelmentioning
confidence: 99%
“…4 For these critics, there was an absence of any "objective correlative" -to continue the Eliotoan thread of Heaney"s thoughtbetween the "personal miseries" of a girl from Massachusetts and "the most dreadful event in the history of mankind". As a result, Plath was widely accused of indulging in a form of emotional plagiarism that revealed much about her own pathology, but very little about the condition of those who actually lived in the camps.…”
Section: Holocaust Poetry Of Sylvia Plathmentioning
confidence: 99%