Abstract:To help him shape the dance component of the new Instituto Nacional de Bellas Artes (INBA), Carlos Chávez invited the leading exponents of Mexico’s opposing camps of modern dancers to assist him, along with an array of painters, composers, and writers. As part of INBA’s charge to create a universal culture attractive to international audiences, and at a time the U.S. was promoting modern dance as part of its WWII propaganda efforts in the Americas, Chávez’s team created a modern-dance focused Academy of Mexica… Show more
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