2011
DOI: 10.1111/j.1548-1433.2011.01365_19.x
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The Goddess and the Nation: Mapping Mother India by Sumathi Ramaswamy

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“…Mother India, on account of her origin from the Hindu iconographic tradition of divine females, is represented as a forever-young woman ‘clad in lush coloured silks and draperies’ (Ramaswamy, 2010, p. 65) possessing ‘filial affect’ (Ramaswamy, 2010, p. 9). Ramaswamy reads the figure of Bharat Mata as a palimpsest that retained features of idealised British femininity and Hinduism’s fierce warrior-goddesses but was self-consciously modelled on the ‘new woman’ of the late-19th-century bhadralok (native bourgeoisie) (Shah, 2011, p. 530).…”
Section: Representations Of Female Aging In Hindi Films: a Critical G...mentioning
confidence: 99%
“…Mother India, on account of her origin from the Hindu iconographic tradition of divine females, is represented as a forever-young woman ‘clad in lush coloured silks and draperies’ (Ramaswamy, 2010, p. 65) possessing ‘filial affect’ (Ramaswamy, 2010, p. 9). Ramaswamy reads the figure of Bharat Mata as a palimpsest that retained features of idealised British femininity and Hinduism’s fierce warrior-goddesses but was self-consciously modelled on the ‘new woman’ of the late-19th-century bhadralok (native bourgeoisie) (Shah, 2011, p. 530).…”
Section: Representations Of Female Aging In Hindi Films: a Critical G...mentioning
confidence: 99%