The Glass Curtain

Abstract

In an interdisciplinary workshop in the former Iron Curtain borderlands of the Czech Republic and Bavaria seven multi-national artists and one European ethnologist revealed the cultural dynamics of boundaries both by exploring an expressive landscape and memory field, and by experiencing cultural difference as reflected in the co-operation and creation processes within the group. By using ethnographic approaches to assist the process of developing and conceptualising artworks and self-reflexive, ethno-psychoanalytic interpretation, the project followed the impact of twentieth-century border frictions and violence into collective identities, but also the arbitrary character of borders. The results suggest how a multi-perspective, subjectively informed methodology of approaching space and spatially expressed memory could be developed both for ethnology and for art, bridging the supposed gap between 'artistic' and 'scientific' methods by combining their strengths in a complementary way.

Commodity Violence: The Punctum of Data

“…We would need to find a different articulation of our roles as translators. As ethnologist Katharina Eisch‐Angus suggests, by “considering art processes and collaborative artistic‐ethnographic work we could learn not to reduce our potentials of perception and of anthropological interpretations because of fear of appearing unscientific” (2009, 105).…”