An examination of Chimamanda Ngozi Adichie's Americanah reveals a mapping of exponential growth of obtrusive racial tension which leaves in its wakes prejudice, acrimony and hatred. The article argues that despite its dialogic engagement with the possibility of harmonizing the varied characters' racial/cultural backgrounds, Adichie's Americanah's experimentation with transculturalism faded in a miasma of morbid biases and despair. This failure has a marked impact on the cultural downturn in the lives of African immigrants and other economic migrants from other parts of the world who are trapped in the social contradictions prevalent in America and England. Through concerted efforts, Adichie negotiated interracial harmony among her characters in Americanah; especially among ethnocentric characters cocooned in private world of hate, snobbishness and recherché referenced by the turbulent contemporary world. Invariably, Adichie as a transcultural writer is bounded by the need to illustrate issues which verge on individuals' intolerance for people outside their ethno-cultural or socio-political backgrounds. Nevertheless, Americanah's transcultural trope appreciates the fluidity of the present age: the confluence of global cultures, the mobility as well as nomadic nature of the 21st-century man and the need to engender a monolithic cultural outlook in a culturally polyvalent society. The paper concludes that transculturalism could only manifest in a globally differing society if the walls of ethnocentrism and racism insulating it collapse. Curiously, transculturalism in Americanah ostensibly failed due to the obtrusive racial intolerance exhibited by the varied characters who appear to have determined to cling to the divisive racial sentiments identified in their attitude.Keywords: 'reconfiguring others', negotiating identity, Americanah, African immigrants, Chimamanda Ngozi Adichie
IntroductionChimamanda Ngozi Adichie is a burgeoning Nigerian writer who continually forges the link between the Nigeria's past and present. Her imaginative dexterity is referenced in her glancing backwards to the needless Nigerian civil war in her Half of a Yellow sun (2006). A further pursuit of this literary inquisition is foregrounded in a very clever riff on her dissection of the plight of hapless Nigerians trapped in the miasma of racialized America in Americanah (2013). Suffice to state that Adichie's narrative trajectory somewhat reflects Chinua Achebe's novelistic oeuvre. (ISSN 0975-2935), Vol. IX, No. 4, 2017 [
Rupkatha Journal on Interdisciplinary Studies in Humanities