The Cambridge History of Musical Performance 2012
DOI: 10.1017/chol9780521896115.033
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“…This tendency to tune to increasingly higher frequencies reflects a general trend of pitch inflation over the last couple of centuries in Western orchestral music (Lawson & Stowell, 1999); however, it is unclear whether most listeners would be able to appreciate these differences in absolute tuning. Although prior research has demonstrated that listeners might have a preference for sharper tuning in orchestral recordings (Geringer, 1976), the participants in this study were all musicians and some reported possessing AP.…”
mentioning
confidence: 99%
“…This tendency to tune to increasingly higher frequencies reflects a general trend of pitch inflation over the last couple of centuries in Western orchestral music (Lawson & Stowell, 1999); however, it is unclear whether most listeners would be able to appreciate these differences in absolute tuning. Although prior research has demonstrated that listeners might have a preference for sharper tuning in orchestral recordings (Geringer, 1976), the participants in this study were all musicians and some reported possessing AP.…”
mentioning
confidence: 99%