“…It explores the social lifecycle of Manyika pottery from modern-day Nyanga, right from production to discard to develop an emic perspective of the relations that possibly existed between the Later Iron Age (CE 1300–1900) communities of Nyanga and the various broken potsherds and few complete earthenware archaeologists recovered from their upland and lowland residences (sensu [19941998] , [19941999] ; David and Kramer, 2001 ; Hodder and Hutson, 2003 ; Stark, 2003 ; Fowler, 2008 ; Pikirayi, 2007 ; Skibo, 1992 , 2013 Ashley, 2010 ). This approach is in liaison with decolonial studies trending in global archaeology and ethnoarchaeology, where archaeologists and anthropologists now recognise the significance of locally-centred knowledges when approaching material culture ( Dietler and Herbich, 1989 ; Collett, 1993 ; Lindahl and Matenga, 1995 ; Ndoro, 1996 ; Gosselain, 2000 ; 2016 ; Ogundele, 2006 ; Pikirayi, 2007 ; 2015 ; Karega-Munene and Schmidt, 2010 ; Lindahl and Pikirayi, 2010 ; Lane, 2011 ; Mtetwa et al, 2013 ; Nyamushosho, 2014 ; Chirikure, 2016 , Chirikure, 2020 ; Haber, 2016 ; Cunningham and MacEachern, 2016 ; Chirikure et al, 2018 ; Chipangura et al, 2019 ). In light of this, we approach decolonised archaeology as a philosophical and archaeological practice that is independent of colonial prejudices and hegemonic discourses; hence studying and portraying past societies in a more engaging way that resonates with local meanings and contexts of their material culture ( Stahl, 1995 ; Stark, 2003 ; Pikirayi, 2015 ; Cunningham and MacEachern, 2016 ; Haber, 2016 ; Chirikure et al, 2017 ).…”