Abstract:John IV died on 6 November 1656. A funeral apparatus was planned in the Church of São Vicente de Fora. The planned iconographical program attempted a balance between traditional iconographies and innovative pictorial ideas. One of the paintings described in the source is iconographically unique and deserves an in-depth analysis: it plays on the idea of the headless body of state that John IV had revived, at a time when one of Portugal’s most important allies, Charles I of England, had in fact lost his head. Th… Show more
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