The ‘full-flowing stomach’: unwholesome food, climate, and colonialism in King Lear and Kristian Levring’s The King is Alive
Seth Swanner
Abstract:This article considers Kristian Levring’s 2000 film The King is Alive from a radically open historicist methodology, analysing the film as a product of multiple interleaved archives. An adaptation of King Lear, the film’s relevant archive includes documents from the English Renaissance like the early modern recipe books and seventeenth-century medical treatises that this article uncovers. Yet because The King is Alive was filmed in an abandoned German mining colony in the Namib desert, the archive must also in… Show more
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