The Friction Effect in the Serial Sonic Circuit

Bal, Carmen; Bal, Nilüfer

doi:10.2507/daaam.scibook.2009.66

Cited by 2 publications

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“…More specifically, I shall take the 'orderings of enunciative series' as the base units of analysis in my discussion of various hodoi elaborated in the course of the 3 Foucault (1972) 64. 4 Smith (2003) (followed by Allan (2007), , and Allan (2013), where more bibliography can be found) uses 'Discourse Modes'; Chatman (1990) uses 'Text-Types', as does Bal (2009). On the relationship between the two typologies, see Smith (2003) Odyssey, and, with these in hand, shall attempt to see how the rhetorical schema governed by the figure of the hodos determines an overarching pattern of organizationa discursive architecture distinctive to the figure of the hodosout of these base units.…”

Section: The Hodos In Homermentioning

confidence: 99%

The hodos IN HOMER

2022

Homer, Parmenides, and the Road to Demonstration

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Section: The Hodos In Homermentioning

confidence: 99%

The hodos IN HOMER

2022

Homer, Parmenides, and the Road to Demonstration

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“…On the other hand, it entangles the textual "interference" of the narrative perspective with the narrative body. 20 Nevertheless, the pivotal point of the ventriloquism effect culminates in its discursive contribution to the focalization factor. In the long run, the bravura performance of the focalization factor is the narrative perspective which investigates and ushers in the narrative point of view.…”

Section: Focalization Factormentioning

confidence: 99%

Postmodern Narrative in Kurt Vonnegut’s Slaughterhouse-Five

Jweid¹,

Termizi²,

Majeed³

2015

JFLCC

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This article explores Kurt Vonnegut's Slaughterhouse- Five (1969) as a postmodern critique of modern literary modes. As a novel recapitulating within itself a postmodern relative perspective of reality, it elucidates one aspect of postmodernism, that of literary experimentation. Vonnegut experiments with the narrator, setting and characters of the novel to provide a fictional critique of the literary exhaustion prevailing in modern literary modes. Experimentation is thus remedial replenishment for such exhaustion through authorial metafictional intrusion into the text. Accordingly, the article uses Patricia Waugh, Geŕard Genette and Mikhail Bakhtin's narrative theory to examine the experimental technique in the novel. What makes the majority of metafictional style unique is not only its presence in the novel, but also its conflated depiction of the American individual's suffering after the Second World War. For this later style, the self-justifying manner in the novel extrapolates textual dialogic relations to accentuate the author's critical voice. Such voice originates in the main narrative point of view in the text and is known as focalization.

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The Friction Effect in the Serial Sonic Circuit

Cited by 2 publications

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The hodos IN HOMER

The hodos IN HOMER

Postmodern Narrative in Kurt Vonnegut’s Slaughterhouse-Five

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