The French Secular Music of the Late Fourteenth Century

Apel, Willi

doi:10.2307/932106

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“…Tandis qu'il prépare une campagne sarde, Jean I er est chanté comme suit dans une ballade française composée à sa cour : « Avis m'estoit qu'un fort vespertilon [chauve-souris] / en conqueste surmontait Alixçandre. / Mais Seril [Cyrille] montre en sa vray description / que c'est le roy qui tient en compagnye »67 . Le prestige du roi symbolisé par la chauve-souris, destructeur de l'Islam et promis à l'empire universel, est immense.…”

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Messianisme Royal de la Couronne D'Aragon (14^e-15^eSiècles)

Aurell

1997

Annales

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International audienceDuring the end of the Middle Ages, while modern State was growing, kings spread political propaganda to support the increasing of their power and their wars against other countries. For Catalan-Aragonese monarchy, heiress of Frederik II, prophecy was a good mean of fighting against papacy and Angevins for the supremacy in Southern Italy. The religious dissidence of the kings of Aragon induced them to receive many spiritual Franciscans persecuted under John XXII and to create some insular utopias based on poverty in their own kingdoms. These friars were fond of joachite theories announcing that the end of the world was soon arriving. They believed on an emperor who would found universal monarchy with a peaceful millenium, after having annihilated decadent clerics, beaten Muslims and conquered Jerusalem. This kind of Antichrist or exterminator angel was personified in the king of Aragon, who took paradoxically advantage of the apocalyptic metaphors of the winged dragon, the bat, the eagle, the fire or the smoke. These negative images were used in Catalonia to affirm a primitive national identity, fighting behind the royal dynasty

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Messianisme Royal de la Couronne D'Aragon (14^e-15^eSiècles)

Aurell

1997

Annales

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“…The first problem we faced was how we can generate syncopation convincingly in an automatic and controlled way without affecting other qualities of the rhythm. The algorithms we had developed so far 3 1 Syncopation can be found as early as the 14 th century in European music (Apel, 1946).…”

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Syncopation as Transformation

Sioros

Guedes

2014

Lecture Notes in Computer Science

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Abstract:Syncopation is a rhythmic phenomenon present in various musical styles and cultures. I present in this dissertation a set of simple rhythmic transformations that can serve as a formalized model for syncopation for the purposes of generation and analysis of music. The transformations are based on fundamental features of the musical meter and syncopation, as seen from a cognitive and a musical perspective. Based on this model, rhythmic patterns can be organized in tree structures where patterns are interconnected through simple transformations. The model was applied in the design of three listening experiments that explore the relation between syncopation and groove, i.e. the sensation of wanting to move when listening to music. A software plugin is presented as an application of the model.It manipulates the syncopation of audio and MIDI "clips" by automatically de-syncopating and syncopating its content.ii Resumo:Síncopa é um fenómeno rítmico presente em várias culturas e estilos musicais. Nesta dissertação, eu apresento um conjunto de transformações rítmicas simples que constituem um modelo formalizado da síncopa para fins de geração e análise de música. As transformações são baseadas em características fundamentais do compasso musical e síncopa vistos de um ponto de vista cognitivo e musical. Com base neste modelo, padrões rítmicos podem ser organizados em estruturas de árvore (tree structures) onde os padrões são interligados através de transformações simples. O modelo foi aplicado no projeto de três experiências de escuta que exploram a relação entre síncopa e "groove", ou seja, a sensação de querer mover quando ouvir música. Um plugin é apresentado como uma aplicação do modelo que manipula a síncopa de MIDI e áudio "clips" automaticamente.iii

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The French Secular Music of the Late Fourteenth Century

Cited by 2 publications

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Messianisme Royal de la Couronne D'Aragon (14^e-15^eSiècles)

Messianisme Royal de la Couronne D'Aragon (14^e-15^eSiècles)

Syncopation as Transformation

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The French Secular Music of the Late Fourteenth Century

Cited by 2 publications

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Messianisme Royal de la Couronne D'Aragon (14e-15eSiècles)

Messianisme Royal de la Couronne D'Aragon (14e-15eSiècles)

Syncopation as Transformation

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Messianisme Royal de la Couronne D'Aragon (14^e-15^eSiècles)

Messianisme Royal de la Couronne D'Aragon (14^e-15^eSiècles)