This thesis examines the works of Gustav Freytag against the changing socio-political backdrop of the Vormarz, Nachmarz and Griinderzeit. It analyses the concepts of class, nation and folk in his writings, and provides an account of their shifting literary representation between 1840 and 1890. For the first time in recent criticism, it analyses all of Freytag's published work -his poetry, dramas, novels, theatrical theory, journalism, and historical and biographical studies. Above all, my thanks go to my supervIsor, Professor Michael Perraudin, whose constant guidance, enthusiasm and critical insight have been pivotal throughout this project. Thanks must also go to Professor Henk de Berg for his tireless support, and to Dr Katy Heady, for reading draft versions with a critical eye and good humour.Special thanks are also due to Dr Michael Minden at Cambridge, for first introducing me to German literature and taking an interest in my work ever since.Many other colleagues have been generous with their ideas and time during this