1992
DOI: 10.1007/978-1-349-22014-4
|View full text |Cite
|
Sign up to set email alerts
|

The Fictions of Anita Brookner

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
3
0

Year Published

1996
1996
2022
2022

Publication Types

Select...
3
3

Relationship

0
6

Authors

Journals

citations
Cited by 6 publications
(3 citation statements)
references
References 0 publications
0
3
0
Order By: Relevance
“…As John Skinner has argued, although Brookner writes 'stylistically' as an English 'insider', her predominantly female protagonists are 'mentally, if not ethnically, outsiders'. 35 Brookner's precarious position -as neither an 'insider' nor an 'outsider', neither 'Jewish' nor 'English' -can, in this regard, be related to Pinter. After The Birthday Party Pinter, not unlike Brookner, universalized his Jewishness so as to make it unrepresentable.…”
Section: 'Ineffable and Usable': Towards A Diasporic British-jewish Wmentioning
confidence: 93%
“…As John Skinner has argued, although Brookner writes 'stylistically' as an English 'insider', her predominantly female protagonists are 'mentally, if not ethnically, outsiders'. 35 Brookner's precarious position -as neither an 'insider' nor an 'outsider', neither 'Jewish' nor 'English' -can, in this regard, be related to Pinter. After The Birthday Party Pinter, not unlike Brookner, universalized his Jewishness so as to make it unrepresentable.…”
Section: 'Ineffable and Usable': Towards A Diasporic British-jewish Wmentioning
confidence: 93%
“…That is, the notion that events in the system at large pressured political communities into courses of action they hitherto would not contemplate: this is, as Skinner elucidates, the argument that 'the times are more powerful than our brains'. 35 Machiavelli's fear, one he realised at the hands of the French, was that virtu could so 'easily be ruined before the new order has been brought to completion'. 36 This did not mean that Machiavelli thought virtu was automatically lost in such instances, on the contrary, he believed that 'if fortune changes, sometimes raising them, sometimes casting them down, they do not change, but remain ever resolute, so resolute in mind and conduct through life that it is easy for anyone to see that fortune holds no sway over them'.…”
Section: Losing Face With Fortunamentioning
confidence: 99%
“…According to Ann Fisher-Wirth in "Hunger Art: The Novels of Anita Brookner", the tragedy of Brookner's female protagonists is actually a result of how fervently they accept the symbolic order that excludes them. Her characters are much like starving artists who couldn't get the food they liked and remained outcasts from society (1)(2)(3)(4)(5)(6)(7)(8)(9)(10)(11)(12)(13)(14)(15). Anna Durrant, the protagonist of Fraud, is a classic because she embodies women who are older and are battling desires, enmities, nostalgia, and loneliness.…”
Section: Introduction 11 Literature Reviewmentioning
confidence: 99%