The Face of Christ, Looking at Us

The Postsecular Theatre of Romeo Castellucci

“…The hysteria sparked an international group of famous actors, directors, and producers to publish a rejoinder in Le Monde supporting Castellucci's freedom of speech. 1 A similar frenzy accompanied the piece's run in Milan. After its London engagement, Michael Billington in The Guardian merely issued a cool yawn, confessing to feeling "mildly bored rather than morally outraged."…”