The 'experiential community': early German television and media theory

Heins, Laura

doi:10.1093/screen/hjq051

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“…For an example of a rudimentary sender (mouth) -receiver (ear) model for radio, see Henning (1934: 149). For an account of the similar theorisation of television as enabling an "experiential community" of ethnically German spectators, see Heins (2011). 21 It has sometimes been suggested that the outbreak of World War II itself was intertwined with that of radio as a "front," not least due to the German premise for their invasion of Poland: a (fabricated) Polish attack on an ethnic German radio station in Gleiwitz (Milev 2001 Bathrick (1997); Koch (2003); Reichel (2006: 193-4).…”

Section: Notesmentioning

confidence: 99%

Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945

Birdsall¹

2012

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This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative initiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe.

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Section: Notesmentioning

confidence: 99%

Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945

Birdsall¹

2012

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Interviewing for Television

Nguri

2016

Advances in Media, Entertainment, and the Arts

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An examination of television interviewing in Kenya provides an emerging sketch of its practice and theory. This Chapter considers television interviewing at three levels that it considers as prioritized by the times - interviewing at the change frontier site, interviewing on behalf of bio-change beings that Kenyans have become, and interviewing with pollen grains of theory in journalism and consequent echoes of its outcome. The Chapter considers three case studies of interviewing in Kenya - the presidential debate, live field reporting and TV opinion polls.The Chapter concludes with a sketch that also suggests certain claims - that television as a medium has not risen to its natural place because it's cameras are not focused on the space of great needs of the people particularly at the change frontier; that moving to a high value question interviewing and a treatment of interviewing as a full-fledged production is a fresh and a rich depth offer for viewers; and that the television interview is a critical forgery of rhetoric in a change thirsty society.

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The 'experiential community': early German television and media theory

Cited by 2 publications

References 0 publications

Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945

Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945

Interviewing for Television

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