2007
DOI: 10.1093/acprof:oso/9780199292172.001.0001
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The Ethics of Philodemus

Abstract: This book presents a study of the ethics of the Epicurean philosopher Philodemus, who taught Virgil, influenced Horace, and was praised by Cicero. His works have only recently become available to modern readers, through the decipherment of a papyrus carbonized by the eruption of Vesuvius in 79 AD. The book examines Philodemus' theoretical principles in ethics, his contributions to moral psychology, his method, his conception of therapy, and his therapeutic techniques. Part I begins with an outline of the funda… Show more

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Cited by 61 publications
(2 citation statements)
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“…The ancient Greeks saw nature as a source of abundance that, if economized well, would sustain the needs of the household members and produce surplus. "Natural and necessary desires [needs] are easy to satisfy, and their fulfilment is all that the philosopher needs in order to pursue his way of life" (Epicurus as quoted in [166] (p. 182)).…”
Section: The Normativementioning
confidence: 99%
“…The ancient Greeks saw nature as a source of abundance that, if economized well, would sustain the needs of the household members and produce surplus. "Natural and necessary desires [needs] are easy to satisfy, and their fulfilment is all that the philosopher needs in order to pursue his way of life" (Epicurus as quoted in [166] (p. 182)).…”
Section: The Normativementioning
confidence: 99%
“…Sobre este tema, que no pretendo desarrollar aquí, puede verse Annas (1994) yTsouna (2007).20 Para el caso de las virtudes, considérese el siguiente pasaje sobre la justicia (ΥΠΜ 138 12-21): "no es concebible que sonidos que movilizan sólo al oído, que es ἄλογος, contribuyan en algo a una disposición del alma que juzga teóricamente (πρὸς διάθεσιν ψυχῆς θεωρητικὴν) sobre las cosas ventajosas y desventajosas para nuestra mutua convivencia política" (itálicas mías).21 Esta cuestión excede el presente artículo. Me limito a señalar que Filodemo coincide sin duda con la tesis negativa del formalismo, a saber, que la música no representa nada externo a sí misma.…”
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