2003
DOI: 10.1353/psy.2003.0048
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The Ethical Subject of The God of Small Things

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Cited by 8 publications
(4 citation statements)
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“…They are equal to men. Thormann (2003) explored that the Indian women novelists have described the feminine subjectivity and applied the different themes starting from the childhood to the womanhood. Through the novels, the Indian women writers like Shashi Deshpande, Anita Desai, Anita Nair along with Arundhati Roy have presented the concept of "feminism" in a detailed manner.…”
Section: ……………………………………………………………………………………………………mentioning
confidence: 99%
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“…They are equal to men. Thormann (2003) explored that the Indian women novelists have described the feminine subjectivity and applied the different themes starting from the childhood to the womanhood. Through the novels, the Indian women writers like Shashi Deshpande, Anita Desai, Anita Nair along with Arundhati Roy have presented the concept of "feminism" in a detailed manner.…”
Section: ……………………………………………………………………………………………………mentioning
confidence: 99%
“…"A Married Woman" has presented a feminist tone and made the readers aware of the need of self-control power among the women. Thormann (2003) mentioned that she has portrayed that the women need to be strong, rational and self-reliant while keeping faith in their inner strengths of womanhood. Women become trapped in the male-dominated society for which they need to struggle to free themselves from all sorts of bonding and make their own identity.…”
mentioning
confidence: 99%
“…Continuing the tradition of Blake's poem "A Poison Tree" (1794), Roy presents the biblical prohibition itself, rather than violation of it, as the cause of evil. The implications of this stance are many, and the so-called "Love Laws" (33) and their attendant psychological, ethical, social, and political repercussions in the novel have generated some excellent scholarly work (see Thormann 2003;Outka 2011;Basu 2014). Therefore, instead of focusing upon the tragic love between Ammu and Velutha, the Romeo and Juliet of Kerala, and the explicit treatment of sensuality and sexuality their romance affords, I will focus upon Ammu's children, Rahel and Estha, through whom Roy explores the advantages of other forms of bodily receptiveness.…”
Section: Eden = Unitary Existencementioning
confidence: 99%
“…Her absence, along with her status as the long-awaited white child, allows her to stand in for the idealised child who is the twins' opposite: the imagined Sophie Mol represents everything that the twins are not, and Sophie Mol becomes the inverse of the negative child subjects as whom Estha and Rahel imagine themselves. Testing their identities against those of the white child by imagining their insertion into the ideal family of the von Trapps, Estha and Rahel find themselves lacking, but imagine Sophie Mol's adherence to the ideal (Thormann, 2003).…”
mentioning
confidence: 99%