The epithalamic verses by M. V. Lomonosov and V. K. Trediakovsky (1730^th – 1740^th)

Abstract

The paper reviews Trediakovsky’s “dilogy” [1], devoted to the engagement (1729) and marriage (1730) of A. B. Kurakin and A. I. Panina, and Lomonosov’s “Ode on the Day of the Marriage of Their Imperial Highnesses the Sovereign Grand Duke Peter Feodorovich and Grand Duchess Catherine, 1745”. Much of the mythopoetic concept of epithalamium as lyric-dramatic genre proposed by Trediakovsky will be perceived by Lomonosov and by later writers through him. The principal innovations made by Lomonosov in epithalamic genre, became his mythological and political content and submission to the form of a solemn ode. The ode of 1745 by Lomonosov is the really conceptual ode. The phenomenon of the Royal marriage with explanation of its reasons is considered in it. The dual – erotico-political – ideological complex developed by Lomonosov and the corresponding “common places” of epithalamic odes will be crucial for poets until the end of the 18th century.

Biological, epidemiological, sanitary-hygienic, medical and behavioral occupational health risk factors for stock-breeders, veterinaries and workers employed at meat-processing enterprises, contacting brucellar animals and infected meat

“…An issue of brucellosis over the last years has been greatly determined by existing risks of carrying the infection with contaminated cattle coming from adverse territories of the neighboring states (Mongolia, Kazakhstan, Kirgizia and others) with the consequent formation of local infection niduses and possibility of unapparent brucellosis caused by Brucella abortus [10,13].…”