The English Landscape

Löwenthal, David; Prince, Hugh C.

doi:10.2307/212656

Cited by 83 publications

(18 citation statements)

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“…Memory frames, and folds into our contact with environments in a myriad of ways, sustaining our sense of the past, fracturing our sense of place now, and offers a continuous source of dialogue between multiple space-times. Memory is effectively part of the landscape (Lowenthal and Prince 1965;Lowenthal 1979;Lowenthal 1985), however it sits as a dynamic and powerful tool for the creation, sustenance and disruption of our sense of self within everyday geographies. Texturally, the scent, sound, taste, and texture of memory contextualise our body experiences within past experiences of dwelling, environment and places of being.…”

Section: Memory Landscape and Placingmentioning

confidence: 99%

Landscape, race and memory: biographical mapping of the routes of British Asian landscape values

Tolia‐Kelly

2004

Landscape Research

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Tolia-Kelly, Divya P. (2004) Additional information: Use policyThe full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that:• a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders.Please consult the full DRO policy for further details.

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Section: Memory Landscape and Placingmentioning

confidence: 99%

Landscape, race and memory: biographical mapping of the routes of British Asian landscape values

Tolia‐Kelly

2004

Landscape Research

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“…The second examined cultural perceptions and visual preferences, aiming at understanding people's cognition of and response to their environment. In the second approach, influential works were by David Lowenthal (1961Lowenthal ( , 1968, in part together with Hugh Prince (Lowenthal & Prince 1964, 1965, on 'landscape tastes', and Yi-Fu Tuan (1974Tuan ( , 1976 on 'landscapes of the mind'. Rowntree (1996) goes on to identify nine directions that further landscape studies have taken: landscape as ecological artifact, landscape as evidence for origins and diffusion; landscape as material culture; urban landscapes; art, literature and landscape meaning; landscape as visual resource; landscape as ideology; landscape's role in the production and maintenance of social categories; and landscape as text, symbols and signs.…”

Section: 2mentioning

confidence: 99%

The Concept of Cultural Landscape: Discourse and Narratives

Jones

2003

Landscape Series

117

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“…[72][73][74][75][76][77][78][79][80][81][82][83][84][85][86]. What constitutes a nuisance is usually a matter of interpretation and may vary considerably from jurisdiction to jurisdiction, although demonstration of an esthetic nuisance has traditionally been more difficult than one involving a smell or noise, because the variability of esthetic taste has been considered greater.…”

Section: Nuisances Zoning and Easementsmentioning

confidence: 99%