2012
DOI: 10.1353/chq.2012.0008
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The Enchanted Screen: The Unknown History of Fairy-Tale Films (review)

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“…However, any reshaping in adaptation does not dismiss the deep relationship between the original and adaptation since an adaptation is an original's afterlife and an original is an adaptation's prehistory (Eggert, 2019:156). Zipes (2011b) writes that there is more than one honourable objective behind each adaptation, upon which he classifies Walt Disney's restoring mission as an act to dominate and become the influencer for makers of fairy-tale films (p. 14).…”
Section: Literature Reviewmentioning
confidence: 99%
“…However, any reshaping in adaptation does not dismiss the deep relationship between the original and adaptation since an adaptation is an original's afterlife and an original is an adaptation's prehistory (Eggert, 2019:156). Zipes (2011b) writes that there is more than one honourable objective behind each adaptation, upon which he classifies Walt Disney's restoring mission as an act to dominate and become the influencer for makers of fairy-tale films (p. 14).…”
Section: Literature Reviewmentioning
confidence: 99%