The Emergence of the Mass Society: The Standardization of American Culture, 1830–1920

Abstract

One of the great intellectual debates in the nineteenth century in the United States concerned the American preoccupation with European culture and, perhaps more important, the continued use of European critical standards to judge the quality of indigenous American culture. There is a great deal of truth in Walt Whitman's lament above, for a truly American high culture had yet to emerge, and American popular culture was still very much in its formative stages and under the influence of European trends (witness the enormous popularity of Charles Dickens and Sir Walter Scott). Only in the realm of folk culture had a rich, and by now Americanized, tradition emerged in the period before the Civil War. This is an interesting point, for after nearly two hundred years in the New World, American folk culture (especially folk humor) was now quite independent, whereas American high culture was still beholden to Europe for its inspiration and ideals. This clearly demonstrates that folk culture emerges from an affinity with everyday cultural expression and is closely identified with its creators, whereas high culture is based on a rigid set of (sometimes arbitrary) standards, which can be imposed from outside, with little regard for community cultural needs. Thus, the existing folklore was the result of the unique American experience, and while elements of the older European folk cultures were still visible, these had undergone the transformations caused by a new environment and were now fully integrated into the “frontier” culture of the new land.