The Egyptian Expedition 1931-1932: The Museum's Excavations at Lisht

Lansing, Ambrose

doi:10.2307/3254981

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“…Shoulder length, it consisted of long, straight, black braids made of twisted flax fiber set with beeswax and resin (Kanawati 1993: 21, 65). More wigs have survived from (Lansing 1933), and even more come from the New Kingdom and later (Fletcher 2000;Tassie 2002) (see NEW KINGDOM, EGYPT). Wigs possibly became unfashionable in the Late Period (see LATE PERIOD, EGYPT), as they are rarely represented in art.…”

Section: Hair and Wigsmentioning

confidence: 99%

Hair, hairstyling, Pharaonic Egypt

Tassie¹

2012

The Encyclopedia of Ancient History

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Section: Hair and Wigsmentioning

confidence: 99%

Hair, hairstyling, Pharaonic Egypt

Tassie¹

2012

The Encyclopedia of Ancient History

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“…Arnold 17 proposed that the original centre of production of Marl C was the Memphis-Fayoum region, just south of the modern capital Cairo. She based this conclusion on a thorough study of the Marl C finds in Egypt then known from the sites of Lisht, 18 Illahun, 19 Dahshur, 20 Qasr el-Sagha, 21 Harageh, 22 Kahun, 23 Riqqeh, 24 Safaga near the Red Sea and Buhen. 25 We now can add material from Tell el-Dab c a, 26 Tell Ibrahim Awad, 27 Abu Ghâlib, 28 (Tell el-Maskhuta), 29 the Northern Sinai, 30 Serabit el-Khadim, 31 Kom Rabi c a, 32 Herakleopolis Magna, 33 Wadi Gawasis, 34 Karnak-North, 35 Elephantine 36 and Askut.…”

Section: Von Bettina Badermentioning

confidence: 99%

A Concise Guide to Marl C-Pottery

Bader¹

2004

Ägypten und Levante / Egypt and the Levant

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for the correction of my treatment of the English language. As this paper should serve as an English summary, not all the pieces I will refer to will be shown in drawing and with complete description, but only the most common types. For a more thorough treatment cf. B. BADER, Tell el-Dab c a XIII, Typologie und Chronologie der Mergel C-Ton Keramik, Vienna 2001 (in the following quoted as B. BADER, TD XIII). Note that only a small part of the Marl C-material from Kom Rabi c a is represented there. The complete corpus will be published by J. Bourriau. 1 DO. ARNOLD, Ägyptische Mergeltone ("Wüstentone") und die Herkunft einer Mergeltonware des Mittleren Reiches aus der Gegend von Memphis, in: DO. ARNOLD (ed.), Studien zur altägyptischen Keramik, Mainz 1981, 7 The term "self slip" is used here in the following sense: a white layer on the surface of the vessel developed by itself in the course of production through the presence of soluble salts. But it does not mean a slip consisting of the same material as the vessel. Cf. BADER, TD XIII, 22, footnote 54. The white surface can also be used as an indicator whether a given sherd belonged to an open or closed vessel, because on closed vessels only the outside shows this surface colour whereas on open shapes the inside is also white. There are, of course, exceptions, that could be explained by placing vessels inside each other in the kiln or while drying. 8 F. R. MATSON, Technological Studies of Egyptian Pottery-Modern and Ancient, in: A. BISHAY (ed.), Collected Papers of the 2 nd Cairo Solid State Conference, 1973, Recent Advances in Technology of Materials,

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Hair in Egypt: People and Technology Used in Creating Egyptian Hairstyles and Wigs

Tassie¹

Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures

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The Egyptian Expedition 1931-1932: The Museum's Excavations at Lisht

Cited by 4 publications

References 0 publications

Hair, hairstyling, Pharaonic Egypt

Hair, hairstyling, Pharaonic Egypt

A Concise Guide to Marl C-Pottery

Hair in Egypt: People and Technology Used in Creating Egyptian Hairstyles and Wigs

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