The effect of exercise-induced arousal on chosen tempi for familiar melodies

Jakubowski, Kelly; Halpern, Andrea R.; Grierson, Mick

doi:10.3758/s13423-014-0687-1

Cited by 17 publications

(21 citation statements)

References 23 publications

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“…While the neural basis for time perception is still unknown ( Wittmann and van Wassenhove, 2009 ; Wittman, 2013 ), there are two predominant models used to describe the process of time perception; scalar expectancy theory, often called the pacemaker accumulator model, and the striatal beat frequency model ( Allman and Meck, 2012 ; Allman et al, 2014 ). These models are used to highlight the effects of arousal (physiological or psychological) on the distortion of time ( Lambourne, 2012 ; Jakubowski et al, 2015 ; Droit-Volet and Berthon, 2017 ).…”

Section: Introductionmentioning

confidence: 99%

Effect of Exercise-Related Factors on the Perception of Time

Behm

Carter

2020

Front. Physiol.

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The concept of time whether considered through the lenses of physics or physiology is a relative measure. Alterations in time perception can have serious implications in sport, fitness and work. Accurate perception of time is an important skill with many time constrained sports (i.e., basketball, North American football, tennis, gymnastics, figure skating, ice hockey, and others), and work environments (i.e., workers who need to synchronize their actions such as police and military). In addition, time distortions may play a role in exercise adherence. Individuals may be disinclined to continue with healthy, exercise activities that seem protracted (time dilation). Two predominant theories (scalar expectancy theory and striatal beat frequency model) emphasize the perception of the number of events in a period and the role of neurotransmitters in activating and coordinating cortical structures, respectively. A number of factors including age, sex, body temperature, state of health and fitness, mental concentration and exercise intensity level have been examined for their effect on time perception. However, with the importance of time perception for work, sport and exercise, there is limited research on this area. Since work, sports, and exercise can involve an integration of many of these aforementioned factors, they are interventions that need further investigations. The multiplicity of variables involved with work, sport, and exercise offer an underdeveloped but fruitful field for future research. Thus, the objective of this review was to examine physiological and psychological factors affecting human perception of time and the mechanisms underlying time perception and distortion with activity.

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Section: Introductionmentioning

confidence: 99%

Effect of Exercise-Related Factors on the Perception of Time

Behm

Carter

2020

Front. Physiol.

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“…Other studies using Tempo Judgment paradigms (see Table 1) ask participants to listen to or imagine specific pieces of music and indicate what they believed to be the correct tempo (Jakubowski et al, 2015, 2016). Unsurprisingly, people are most accurate when listening to a song (Jakubowski et al, 2016).…”

Section: Key Concepts From An Auditory Imagery Approach To Musical Immentioning

confidence: 99%

“…Unsurprisingly, people are most accurate when listening to a song (Jakubowski et al, 2016). Interestingly, increased physiological arousal influences tempo judgments—people chose faster tempos for both perceived and imagined music after a physical versus mental task (Jakubowski et al, 2015). In both Tempo Judgment studies, however, people were able to sustain their image to complete the tasks.…”

Section: Key Concepts From An Auditory Imagery Approach To Musical Immentioning

confidence: 99%

“…Future auditory imagery work could use more complex stimuli, such as music similar to what is heard in everyday life (e.g., pop songs; Bailes, 2015), to evaluate people’s control abilities. Researchers have begun using realistic stimuli in lab-based work (e.g., Godøy et al, 2006; Bishop et al, 2013a; Jakubowski et al, 2015; Weir et al, 2015) and found that people are able to generate relatively accurate musical images of the stimuli. To build upon these studies, additional work should examine how realism of stimuli and related factors (e.g., stimulus complexity, familiarity, instrumental vs. vocal) relate to mental control.…”

Section: Looking Back and Looking Forward: The Utility Of A Dual-compmentioning

confidence: 99%

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Mental Control in Musical Imagery: A Dual Component Model

Cotter

2019

Front. Psychol.

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Hearing music in your head is a ubiquitous experience, but the role mental control plays in these experiences has not been deeply addressed. In this conceptual analysis, a dual-component model of mental control in musical imagery experiences is developed and discussed. The first component, initiation, refers to whether the musical imagery experience began voluntarily or involuntarily. The second component, management, refers to instances of control that occur after the experience has begun (e.g., changing the song, stopping the experience). Given the complex nature of this inner experience, we propose a new model combining and integrating four literatures: lab-based auditory imagery research using musical stimuli; involuntary musical imagery; mental rehearsal and composition in musicians; and in vivo studies of musical imagery in everyday environments. These literatures support the contention that mental control of musical imagery is multi-faceted. Future research should investigate these two components of mental control and better integrate the diverse literatures on musical imagery.

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“…In either case, the important point for our purposes is that listening to Aboriginal song involves complex cognition, and focused attention. In experimental tests, attention to a created temporal interval has been found to be associated with the slowing of subjective time (Coull et al ; Jakubowski et al ; Tse et al ). Perhaps attention to musical form, given the relation between musical and temporal cognition, has this effect of also slowing subjective time.…”

Section: Brilliance As Simultaneously Experienced Componentsmentioning

confidence: 99%

Brilliance as Cognitive Complexity in Aboriginal Australia

Turpin

Fabb

2017

Oceania

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Writers on Australian Aboriginal ceremonial practices and contemporary commercial art have identified properties that can be described as producing 'brilliance', the term used by Howard Morphy (1989) for Yolngu visual art. Brilliance involves the emotionally charged knowledge that Ancestral power is manifest. We suggest that, in Australian Aboriginal ceremonial practices and art, two kinds of brilliance are at work, both of which we exemplify using evidence from songs and languages of the Arandic and Warlpiri region of Central Australia. One kind of brilliance is manifest as visual brightness and whiteness, the other relates to a variety of cognitive complexities that involve diverse combinations of parts both within and across modalities of expression. In extending the notion of brilliance from the visuality of brightness to include cognitive complexity, we follow other work on Australian Aboriginal ceremonial practices. Seeking to understand why these properties should produce particular emotional and epistemic effects in participants, we draw on psychological accounts of the sublime and awe (Keltner and Haidt 2003;Miall and Kuiken 1994), which we treat as part of the same broad family of experiences as the experience of brilliance. We suggest both visual brightness and cognitive complexity represent an 'extremity' that as such places considerable cognitive demands on the participants. These extraordinary cognitive demands stimulate emotion and produce the experience of Ancestral power and surprising moments of insight.

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The effect of exercise-induced arousal on chosen tempi for familiar melodies

Cited by 17 publications

References 23 publications

Effect of Exercise-Related Factors on the Perception of Time

Effect of Exercise-Related Factors on the Perception of Time

Mental Control in Musical Imagery: A Dual Component Model

Brilliance as Cognitive Complexity in Aboriginal Australia

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