A b stract T he spaces of tru th and c a th e d ral window light
M ajor writers an d painters o f the Romantic perio d interpreted the church or cathedra! in its organic and spiritual dimensions as a complex expression o f a m atured Christian civilization. A rtists o f the m id-nineteenth century continued to produce both secular and religious variations upon this established referentiality. Although divergent uses reciprocally rein fo r c e d the fascination fo r the central imagery o f the church a n d its multiple contexts, they also came to suggest a deeper tension in Western developm ent between what the church had meant in an earlier Europe and what it might mean fo r late modernity. The threat o f a perm anent loss o f cultural values was an issue haunting Realist approaches. A crucial revision occurred when key Symbolist poets openly revived the first Rom antic themes but treated them as contents available to a decidedly post-