1996
DOI: 10.1111/j.1527-2001.1996.tb01018.x
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The Diabolical Strategy of Mimesis: Luce Irigaray's Reading of Maurice Merleau-Ponty

Abstract: In this essay I explore the dynamic between Luce Irigaray and Maurice Merleau-Ponty as it unfolds in An Ethics of Sexual Difference (1993). Irigaray's strategy of mimesis is a powerful feminist tool, both philosophically and politically. Regarding textual engagement as analogous for relations between self and other beyond the text, I deliver a cautionary message: mimetic strategy is powerful but runs the risk of silencing the voice of the other.

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Cited by 11 publications
(4 citation statements)
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“…Similarly, our participants, Sarah and Cassandra, decided to ask their fiancé‐to‐be's parents for permission before dropping to one knee and popping the question. Mimesis offers a parodic rendition of the original act (Kozel, 1996), exposing that it is not the engagement, but who initiates it, that legitimizes the couple.…”
Section: Discussionmentioning
confidence: 99%
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“…Similarly, our participants, Sarah and Cassandra, decided to ask their fiancé‐to‐be's parents for permission before dropping to one knee and popping the question. Mimesis offers a parodic rendition of the original act (Kozel, 1996), exposing that it is not the engagement, but who initiates it, that legitimizes the couple.…”
Section: Discussionmentioning
confidence: 99%
“…The creation of a new symbolic order uses different strategies, among which mimesis, a reflexive strategy “to use a sexual stereotype”, and goes beyond it (Kozel, 1996, p. 125). Mimesis is the deliberate assumption of femininity through repetition of an imagery women have not built, a repetition that makes visible how femininity is a masquerade (Irigaray, 1985b).…”
Section: A Gendered Turn: Feminist Institutionalism and Luce Irigaraymentioning
confidence: 99%
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“…For example, if women are viewed as illogical, they should speak logically about this view, thereby enacting the counter-narrative. Although critiqued for its relatively aggressive approach (Kozel 1996 ), an interactive storytelling environment could support stigma victims in enacting counter stories through, for example, theatrical props.…”
Section: Reducing Health-related Stigmas Through Storytellingmentioning
confidence: 99%