Abstract:The chapter begins with an overview of scholarly work on Langland and the French allegorical tradition, and suggests important modifications of our approach to Langland’s use of such ‘sources’. The chapter then moves on to discuss how what arguably is the central event of the poem—Will’s crisis in the third vision, culminating with the first inner dream in B passus XI—grows out of Langland’s protracted and reiterated engagement with Deguileville’s Pèlerinage de Vie Humaine and its own internal tensions and con… Show more
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