Internet is providing a platform to alternative narratives to unfold. Bypassing censorship laws, requiring lesser budget and tapping the raw nerve of the audience with instant and incessant feedback, Web series are destabilizing the existing entertainment industry comprising of films and Television. Comparatively a new field of study and critical analysis, web series are being treated as another audiovisual product, thus deriving from the critical film theories as a paradigm. Akin to films, that are considered to be a mirror of the society with an imprint of the story teller, according to the auteur theory, the web series also is an audiovisual work of art, woven with a narrative. The identity of the story teller impacts the telling of the story, and the choice of the story as well. In the light of the Auteur Theory (Bazin, 1957), this paper discusses the perspectives of the director and employs an in-depth narrative analysis of the Netflix's Indian Web-Series Ghoul (2018) to study the representations and identity of various characters on the basis of their gender, race and religion. The paper studies the plot devices, themes, visual and audio design of the narrative by the filmmaker in reference to his personality and discernment. In the light of the auteur theory, the paper discusses the perspective of the director on representation of gender, race, politics and religion in the story. The metanarrative, with its many layers and contextual frames brings in an innovative actuality in the politico social and cultural milieu.