The aim of this article is to evaluate briefly the importance of cultural activities in the Portuguese economy, identifying the main trends and opportunities for this cluster in today's world. The concept of "cultural industries" is discussed and the role of the cluster in the Portuguese economy and society is analysed, on the basis of empirical information, both statistical and qualitative. The territorial dimension of the organization of the cluster is strongly emphasized, with a comparative regional perspective being used to study the provision and consumption of these goods. Also explored is the relationship between the economic, cultural and institutional processes that are beyond the provision of these activities, and which are central to their comprehension.Key words Cul tu ral ac ti vi ti es, Por tu gal, ter ri tory, cul tu re.
Intro duc ti on: cul tu ral ac ti vi ti es, ter ri to ri al com pe ti ti ve ness and de ve lop mentThe main goal of this text is to as sess the im por tan ce of cul tu ral ac ti vi ti es in the Portu gue se eco nomy, iden tif ying the main trends and op por tu ni ti es for this clus ter in to day's world. 1 This re flec ti on is made with a bro a der pers pec ti ve, which con cerns the role of cul tu ral ac ti vi ti es in pro mo ting the de ve lop ment and com pe ti ti ve ness of dif fe rent ter ri to ri es. 2 As a wor king ba sis, gi ven the in cre a sing cros so vers bet we en dif fe rent forms of cul tu ral ac ti vi ti es, we start with a bro a der con cep ti on of cul tu ral ac ti vi ti es. This in clu des all forms of what is tra di ti o nally un ders to od as art and po pu lar cul tu re. We tryto avo id di cho to mous and sim plis tic dis tinc ti ons, such as tho se that tra di ti onally make a dis tinc ti on bet we en "high cul tu re" and "mass cul tu re", bet we en art and in dustry, bet we en live and uni que per for man ces and re pro du ci ble go ods, betwe en com mer ci al and non-com mer ci al con sump ti on and pro vi si on of cul tu ral pro ducts, and bet we en pu blic or mar ket pro vi ders (see Cos ta, 1998;Wynne, 1992). From the con ven ti o nal "cul tu ral in dus tri es" (such as bo oks or re cords) to the media, the ci ne ma, the vi su al arts, the per for ming arts, he ri ta ge con ser va ti on, or hand crafts, for exam ple, the se ac ti vi ti es, in all the ir di ver sity, are, es sen ti ally, a c ti viti es that use ar tis tic and cre a ti ve in puts. They have, mo re o ver, the pri me ob jec ti ve of ex pres sing in for ma ti on and cre a ting me a nings (Mont go mery, 1994), whet her it is in si de re la ti vely au to no mous and in ter nally co he rent sec tors or sub-clus ters (like the re cord or book in dustry, or the au di o vi su al, for exam ple), or it fe eds a vast SOCIOLOGIA, PROBLEMAS E PRÁTICAS, n.º 38, 2002, pp. 99 -114