1982
DOI: 10.2307/1770757
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The Critique of Autobiography

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“…21 With the help of these pre-existing 'patterns of experience' private memory merges with the larger cultural narratives and "automatically becomes part of a larger, impersonal whole". 22 However, the effect of dramatization produced by the use of these recognizable narrative models goes against the grain of Open Circle intentions. The performers are concerned with the possibilities of translating unmediated experiences in the theatre; however, once thrust into traditional narrative frames these personal experiences loose the effects of authenticity.…”
Section: Play(ing) With Reality: Documentary Fictions and Borderlinesmentioning
confidence: 99%
“…21 With the help of these pre-existing 'patterns of experience' private memory merges with the larger cultural narratives and "automatically becomes part of a larger, impersonal whole". 22 However, the effect of dramatization produced by the use of these recognizable narrative models goes against the grain of Open Circle intentions. The performers are concerned with the possibilities of translating unmediated experiences in the theatre; however, once thrust into traditional narrative frames these personal experiences loose the effects of authenticity.…”
Section: Play(ing) With Reality: Documentary Fictions and Borderlinesmentioning
confidence: 99%