The Court Musicians in Florence during the Principate of the Medici, with a Reconstruction of the Artistic Establishment

Kirkendale, Warren

doi:10.2307/899301

Search citation statements

Order By: Relevance

Paper Sections

Select...

Opera Inside and Outside The Academies1

Citation Types

Supporting

Mentioning

Contrasting

Year Published

2002

2016

Publication Types

Select...

Article5

Relationship

Self Cite0

Independent5

Authors

Journals

Cited by 8 publications

(1 citation statement)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Dafne was first performed there in 1597, and musicologist Claude Palisca credits Corsi's workshop of practicing musicians with introducing pastoral drama into opera's development. 55 Academies and academicians beyond Florence played key roles as well. Galilei's mentor Giuseffo Zarlino, associated with the Venetian academies, drew on the Pythagorean system to develop the mathematics of harmony.…”

Section: Opera Inside and Outside The Academiesmentioning

confidence: 99%

The Renaissance Academies between Science and the Humanities

McNeely¹

2009

con

View full text Add to dashboard Cite

The scientific academies of early modern Europe have long been recognized for their critical role in incubating and legitimating the Scientific Revolution. So also, academies dedicated to vernacular literature and language, opera and ballet, art and design, and speculative philosophy all contributed greatly to the emergence of new humanistic art forms. Rarely, though, have scholars asked whether a common institutional culture united the scientific and humanistic academies across disciplinary divides that "Renaissance men" famously refused to acknowledge. This essay, an interdisciplinary synthesis of existing scholarship, attempts just that, discerning a move toward practices of "objectivity" across the entire academy movement.

show abstract

Section: Opera Inside and Outside The Academiesmentioning

confidence: 99%