Abstract:We are concerned here especially with the instrument/instrumentist relation in the playing time, more generally in musical instrumental experiments. Three channels at least support this relation: the gestual channel, the acoustical, and the visual ones. We shall first propose a comparative analysis of them as “intentional” ways or control ways. Schematically, we can say that gestual and visual channels are devoted to control purposes, whereas the acoustic channel bears expressive intentionality. In traditional… Show more
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