The Concept of Fiesta in Spanish National and Cultural Vision of the World

Astakhova, Elena

doi:10.24833/2071-8160-2014-2-35-285-298

Vestnik MGIMO-universiteta

2014

DOI: 10.24833/2071-8160-2014-2-35-285-298

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The Concept of Fiesta in Spanish National and Cultural Vision of the World

Elena Astakhova

Abstract: The author examines the image of Spain through the megaconcept of fiesta, which determines many aspects of the national and cultural mentality. This concept reflects various vectors of quotidian life, religious and popular holidays with their complicated details and special dramaturgy, penetrates to every day communication and behavior. The research determines such Spanish extralinguistic realities as corrida, tertulia, movida, botellon, indignados, analyses the role of the theater, of "coffee culture", of foo… Show more

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Cited by 4 publications

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Spain as a Reference in Wine Culture

Astakhova

2021

Concept: philosophy, religion, culture

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The culture of wine as a traditional drink in the countries of Southern Europe is determined by the geographical, ethnographic, and historical context, at the same time it is associated with national identification. In the case of Spain, wine plays the role of a friendly union, an element of active communication, is a sociocultural behavioral norm. Through the history of wine-making, the key stages of the country’s development can be traced: from ancient settlements to the European Union, variety of backgrounds, traditions and religions, etc. adding to the long history of wine on the territory of today’s Spain. The theme of wine is reflected in the works of famous Spanish philosophers, writers and artists as a stable tradition, a symbol of community, celebration, creativity, at the same time melancholy and sadness, as a typical Spanish dualism of attitude to life. It is noted that wine was not only viewed as a means of recreation, but also a powerful double-edged social factor, both pacifying and disorganizing. Taverns became people’s universities, and cafes with their tertulias became the center of intellectual life. Wine is an important economic component, the vineyard zones cover the whole country, with its main wine-making regions — from Rioja to Jerez — renowned around the world. Hundreds of varieties of wines are produced, which differ in denomination, aging, reputation, and popularity on the world market and with tourists. Spain has a leading position in this area. At present, bars, restaurants, and taverns, as public spaces suitable for big parties and family gatherings alike, have become not only a place of spending one’s pastime, but also a platform for political discussions, a place where certain political forces manipulate their influence, where polar views on the current and future agenda are in confrontation: the globalization of the society and cultural unification, or the preservation of unique customs and traditions. Wine culture is dynamic, it manifests itself in a new form in the younger generation, the latest gender and progressive norms appear, the simple, down-to-earth consumption characteristic of the bar culture displaces the spiritual component. The loss of traditions, including the wine culture, is dangerous for the society. It will have negative consequences for the country, will cause damage to its attractiveness for investors and tourists, and hurt the very image of their motherland the Spanish hold dear. Wine remains an important part of the national heritage, material, and spiritual culture of Spain.

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Spain as a Reference in Wine Culture

Astakhova

2021

Concept: philosophy, religion, culture

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Inter-civilizational dimension of the Ibero-American world

Astakhov¹

2016

Iberoamerikanskie tetradi

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The “Black Spain” of Zuloaga and the “White Spain” of Sorolla in the historical context

Astakhova

2018

Iberoamerikanskie tetradi

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Two images of Spain, “España Negra” and “España blanca” are examined in the historical context, based on the works of two painters, Ignacio Zuloaga (1870–1945), and Joaquín Sorolla (1863–1923). Two different artistic ideas about the destiny of the country reflect a search for national identity: the Being of Spain, which intensified in Spain after the “disaster” of 1898. These visions are related to the reflections of the intellectuals named Generation 98. Zuloaga presents a perception of the national image in the dilemma of what to do: “Europeanize” Spain, or leave it patriarchal, preserving traditions, genuine values, the “life against reason”. La “España blanca” appears in the paintings of the impressionist Joaquin Sorolla, whose pictures are full of light, sun, hope, and joy. His works can be linked with the thesis of Ortega-and-Gasset about the opening of Spain to the world, the need to “achieve a synthesis of life and reason”, to reconcile the “two Spains”.The dualism of impressions and ideas on Spain, both in the sense of art as well as in the historical and social sense, is the tonic in the interpretation of the way of the country and its development, which determines its image also in the present. The paintings of Zuloaga and Sorolla are read as historical texts, and reveal many signs that can be hidden in literary or philosophical works.

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The Concept of Fiesta in Spanish National and Cultural Vision of the World

Cited by 4 publications

References 0 publications

Spain as a Reference in Wine Culture

Spain as a Reference in Wine Culture

Inter-civilizational dimension of the Ibero-American world

The “Black Spain” of Zuloaga and the “White Spain” of Sorolla in the historical context

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