The complex network of the Brazilian Popular Music

Silva, D de Lima e; Soares, Márcio M.; Henriques, Marcos Vinícius Cândido; Schivani, Milton; Aguiar, S.G de; Carvalho, T.P de; Corso, Gilberto; Lucena, L. S.

doi:10.1016/j.physa.2003.09.059

Cited by 19 publications

(8 citation statements)

References 15 publications

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“…The quantification of social interactions has even suggested an underlying network organization of conspiracy [526] or of terrorist cells [527,528]. Within the framework of complex networks there have been some attempts to characterize the social interactions in animals (association, aggression, submission, grooming) [529][530][531]; the networked memberships of football players, musicians, and movie actors [532][533][534][535]; or the interactions of fictional characters, such as the personages of Victor Hugo's Les Misérables, Tolstoy's Anna Karenina or Shakespeare's plays [51,536].…”

Section: Structurementioning

confidence: 99%

Complex networks: Structure and dynamics

et al. 2006

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Coupled biological and chemical systems, neural networks, social interacting species, the Internet and the World Wide Web, are only a few examples of systems composed by a large number of highly interconnected dynamical units. The first approach to capture the global properties of such systems is to model them as graphs whose nodes represent the dynamical units, and whose links stand for the interactions between them. On the one hand, scientists have to cope with structural issues, such as characterizing the topology of a complex wiring architecture, revealing the unifying principles that are at the basis of real networks, and developing models to mimic the growth of a network and reproduce its structural properties. On the other hand, many relevant questions arise when studying complex networks' dynamics, such as learning how a large ensemble of dynamical systems that interact through a complex wiring topology can behave collectively. We review the major concepts and results recently achieved in the study of the structure and dynamics of complex networks, and summarize the relevant applications of these ideas in many different disciplines, ranging from nonlinear science to biology, from statistical mechanics to medicine and engineering.

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Section: Structurementioning

confidence: 99%

Complex networks: Structure and dynamics

et al. 2006

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“…Artists are "creating around" by copying some elements of the creative bunch and are collectively constructing their reputation, with moral rights being part of an even more complex process of recognition (live performance, sessions, newspaper critics, word of mouth…). The interplay with communities (musicians, fans, DJs, bookers, tour operators, bar and small club landlords, music critics, local authorities, etc) is crucial to both circulate and combine new ideas (Grandadam, 2008;Brown et al, 2000;de Lima e Silva, 2004;Lena, 2004;Watson, 2007). These communities take care of the coordination, and they are at the same time the locus of progressive codification of knowledge and creation of the codebook and grammar of a music style.…”

Section: Ipr Dilemma In Creative Industries: Ipr To Exclude Vs Ipr Tmentioning

confidence: 99%

Creative industries and the IPR dilemma between appropriation and creation: some insights from the videogame and music industries

Bach

Cohendet

Pénin

et al. 2010

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Intellectual property rights (IPR) play a strategic role in creative industries. Defined as a collective process, creativity involves actors with contradictory IPR needs. This leads to an “IPR dilemna”. Firms are looking into appropriating creative work and prevent imitation; whereas creative communities need a weak IPR to combine past work and generate novelty. It becomes problematic for individuals to find themselves between these two. As a result, actors are developing specific IPR arrangements (e.g. open source and creative commons practices) to preserve the balance between appropriation and openness allowing creation. Two creative industries are used as illustrations: music and video-games.

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“…Partindo da base de dados relacional de compositores e intérpretes, construímos uma rede simétrica (matriz quadrada) de compositores, de maneira semelhante ao esforço de mapeamento da rede de músicos brasileiros por Lima e Silva e seus associados (Lima e Silva, Medeiros, et al, 2004). A força do relacionamento entre compositores foi estabelecida pelo número de canções em que apareciam juntos.…”

Section: Análise De Redeunclassified

Tropicália: manobras estratégicas em redes de músicos

Kirschbaum

Vasconcelos²

2007

Rev. adm. empres.

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Este artigo busca construir pontes entre três campos teóricos: Teoria Organizacional, Redes Sociais e Identidade Social. Por meio da análise de redes de músicos brasileiros, monitoramos a emergência de novos estilos, paralelamente às mudanças estruturais na rede. Durante o período de análise, de 1958 a 1969, quatro estilos musicais se consolidaram: Bossa Nova, Jovem Guarda, MPB e Tropicália. Utilizamos a análise de redes sociais para obter três dimensões da evolução do campo: evolução da rede, criação de buracos estruturais e transformação da centralidade dos atores. Confl itos internos em um campo criam oportunidades de intermediação entre grupos separados por buracos estruturais. Essas lacunas podem ser gradativamente conectadas a partir de transformações incrementais nas redes dos artistas. Com a maior infl uência de artistas emergentes, aumenta a possibilidade de introdução de um novo estilo e modifi cação do sistema classifi catório do campo. Charles KirschbaumCentro Universitário da FEI PALAVRAS-CHAVE Gestão estratégica, teoria organizacional, redes sociais, música popular brasileira, indústria cultural. Flávio Carvalho de Vasconcelos FGV-EAESP ABSTRACT

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The complex network of the Brazilian Popular Music

Cited by 19 publications

References 15 publications

Complex networks: Structure and dynamics

Complex networks: Structure and dynamics

Creative industries and the IPR dilemma between appropriation and creation: some insights from the videogame and music industries

Tropicália: manobras estratégicas em redes de músicos

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