2012
DOI: 10.1111/j.1749-8198.2011.00465.x
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The Commonplace Geopolitics of Conspiracy

Abstract: Conspiracy narratives and ways of knowing are a highly visible, accessible and increasingly commonplace part of contemporary global life, permeating across spheres of politics, science and popular culture. Catalyzed by rapid developments in networked media and a political climate of enhanced government secrecy following the 9/11 terrorist attacks, thinking conspiratorially about power forms part of a broader global public challenge to State control over access to information and knowledge. Rather than relegate… Show more

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Cited by 16 publications
(8 citation statements)
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References 75 publications
(90 reference statements)
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“…This article aims to enrich the academic discourse around ideas of climate control, through redressing the apparent invisibility of the chemtrail theory in current discussions of geoengineering. In so doing, the work presented here also contributes to a growing academic interest in the analysis of conspiratorial narratives (Birchall ; Dean ; Fenster ; Jones ; Marcus ), and responds to recent calls for geographers to use the critical interrogation of the discourses of conspiracy as a means to ‘de‐centre the geo‐political gaze away from elite and official versions of global space, in order to consider alternative ways of knowing’ (Jones , 46). Rather than framing belief in chemtrails as pathology or fantasy, and (hypothetical, future) geoengineering as reality, both terms are understood here as discursive phenomena, the ‘bounds of which are continually being negotiated’ (Cairns and Stirling ).…”
Section: Introductionmentioning
confidence: 88%
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“…This article aims to enrich the academic discourse around ideas of climate control, through redressing the apparent invisibility of the chemtrail theory in current discussions of geoengineering. In so doing, the work presented here also contributes to a growing academic interest in the analysis of conspiratorial narratives (Birchall ; Dean ; Fenster ; Jones ; Marcus ), and responds to recent calls for geographers to use the critical interrogation of the discourses of conspiracy as a means to ‘de‐centre the geo‐political gaze away from elite and official versions of global space, in order to consider alternative ways of knowing’ (Jones , 46). Rather than framing belief in chemtrails as pathology or fantasy, and (hypothetical, future) geoengineering as reality, both terms are understood here as discursive phenomena, the ‘bounds of which are continually being negotiated’ (Cairns and Stirling ).…”
Section: Introductionmentioning
confidence: 88%
“…Situated within a broadly interpretive research framework, the analysis presented here builds on the Foucauldian approach to the analysis of marginal texts and informal or popular knowledges as outlined by Birchall (, 11). The chemtrail conspiracy narrative is here analysed as a knowledge‐producing discourse (Anderson ; Birchall ; Jones ). In this context, discourse is taken to be ‘a shared way of apprehending the world.…”
Section: Methodsmentioning
confidence: 99%
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“…2 Conversely, claims about conspiracies made by high-level national security officials are often assumed to be accurate and legitimate, since they are thought to rely on special information unavailable to others. As Jones (2012: 52) explains, this ‘illustrates the importance of attending to conspiracy discourse as a range of positions within which different actors seek to make claims for legitimate “knowledge”. The fact that some conspiracy narratives are ‘called forth’ as ‘conspiracy theories’ points to the importance of power relations in the production of foreign policy knowledge ( Jones, 2012: 48).…”
Section: Conceptualising Conspiracy In World Politics: Three Perspectmentioning
confidence: 99%
“…61 However, the work of Laura Jones which examines the 9/11 Truth movement is relevant here, as she has called for more 'situated, embodied and emotional accounts of conspiracy theories'. 62 While the episode is decidedly unambiguous in its depiction of 9/11 conspiracy theories, the US executive is depicted in a ridiculous manner (Dick Cheney is dressed in hunting gear and armed with a toy crossbow, a fact that is never explained). While the episode plays on the geopolitical fear of the threat from within the US borders, the US government is also desperate to appear all powerful, yet it is eventually unable to orchestrate such an elaborate ruse.…”
Section: Ambiguous Humour and Geopoliticsmentioning
confidence: 99%