The Caribbean Gothic Down Under: Caribbean Influences in Marianne de Pierres’ Parrish Plessis Novels

Abstract

This paper investigates the way voodoo, postcolonial theory, Indigenous spirituality and Caribbean culture are brought together to discuss contemporary and future race politics down under in the novel Nylon Angel, Code Noir and Crash Deluxe. Marianne de Pierres' Parrish Plessis books are edgy, street-smart science fiction novels set in a future Sydney where government has effectively collapsed, media controls its citizenry and gangs vie for control of the streets. In some ways it appears a fairly typical model for SF writing, except that de Pierres has invested great effort in the delineation of racially complex groups. Of these, the encounter between Caribbean (and Voodoo), shamans, and Indigenous Kaidaitcha men, makes for a refreshing, but uncomfortable, contemporary negotiation of race politics in Australia.