This chapter explores Emma Donoghue’s The Wonder (2016) and The Pull of the Stars (2020) as texts that address the wrongs of the male-dominated institutions of religion and medicine, silently complicit of various kinds of female invisibility. As will be discussed from a cultural memory approach, The Wonder, a story tinted with religious fervour and scientific scepticism, probes into the so-called fasting-girls phenomenon and ultimately exposes a diseased culture nurtured by toxic practices of silence. Similarly, The Pull of the Stars, a novel set in a Dublin ward during the 1918 Great Flu pandemic which depicts the struggles of several female characters and their attempts to save the lives of labouring women, is analysed as a text concerned with retrieving the historically suppressed female body, controlled by male regulatory practices of health care and religious morality.