Abstract:This article argues that the origin of narrative lies in the "excuse" and that the structure of the excuse marks what we nowadays consider as narrative. The defining feature of the excuse is that it provides a counterversion to the master story of the accusation and thereby opens a multiplicity of versions. Given an excuse, there is not just a plurality of possible plot developments but also a consideration of linguistic nuances when weighing responsibility. The excuse generates a context within which the acts… Show more
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