Abstract:In the tradition of Artaud's commitment to a theatre “whose only value is in its excruciating, magical relation to reality and danger,” and in the tradition, too, of his complaint that “no matter how loudly we clamor for magic in our lives, we are really afraid of pursuing an existence entirely under its influence and sign,” thrives an arts collaborative whose works of “performance art” cross industrial castoffs of urban technology (such as tin can poptops, recycled Yellow Pages, vinyl, spark plugs, and barbed… Show more
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