“The Baroque and the Neobaroque” (1972)

Sarduy, Severo

doi:10.1215/9780822392521-015

Cited by 15 publications

(1 citation statement)

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“…In his discussion, Severo Sarduy (1972Sarduy ( /2010 emphasizes its polyphonic character and describes intertextuality as the "network of connection, of successive filigrees whose graphic expression would be linear, two-dimensional, flat, but instead voluminous spatial and dynamic... [and] the mixture of genres, the intrusion of one type of discourse into another" (pp. 280-281).…”

Section: "Neither Here Nor There"mentioning

confidence: 99%

“Neither Here Nor There.” The Experience of Borderless Nation in Contemporary Dominican-American Literature

Majkowska

2017

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“Neither Here Nor There.” The Experience of Borderless Nation in Contemporary Dominican-American LiteratureDiscussing migrant identities, critics very often focus on the state in-between, the state between the borders, or being neither here nor there, and a migrant group that seems to epitomize this in-between condition is the Dominican-Americans. Consequently, the article seeks to examine the experience of in-betweenness, of being suspended between the boundaries and borders of two countries in selected texts of contemporary Dominican-American writers: Junot Díaz’s novel The Brief Wondrous Life of Oscar Wao and a short story “Monstro,” and Angie Cruz’s Soledad. It aims to analyze how the texts discuss the experience of in-betweenness through hybridity (for instance intertextuality and magical realism) with the use of tools offered by the neo-baroque esthetics. „Ani tu, ani tam”. Doświadczenie narodu bez granic we współczesnej literaturze dominikańsko-amerykańskiejAnaliza tożsamości imigrantów często skupia się na byciu pomiędzy, egzystowaniu między granicami, a także braku przynależności do żadnej z kultur. Grupa, która wydaje się uosabiać ten stan, to migranci z Republiki Dominikany w Stanach Zjednoczonych. Niniejszy artykuł podejmuje temat doświadczenia bycia pomiędzy, zawieszenia pomiędzy granicami i między dwoma krajami w wybranych tekstach współczesnych pisarzy dominikańsko-amerykańskich: powieści Krótki i niezwykły żywot Oscara Wao i opowiadania „Monstro” Junota Díaza oraz powieści Soledad Angie Cruz. Celem artykułu jest analiza doświadczenia bycia pomiędzy wyrażanego poprzez hybrydę, czemu służą narzędzia oferowane przez estetykę neobarokową, a także poprzez intertekstualność i realizm magiczny.

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Section: "Neither Here Nor There"mentioning

confidence: 99%

“Neither Here Nor There.” The Experience of Borderless Nation in Contemporary Dominican-American Literature

Majkowska

2017

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Brigid Brophy’s In Transit, or the Post-war Novel’s Transition from an “Exhausted” to a “Replenished” Form

Zouaoui

2021

British Experimental Women’s Fiction, 1945—1975

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Introduction: Tracing Entanglements in the Seventeenth Century Caribbean

Kullberg

2023

Early Modern Cultural Studies 1500–1700

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This introductory theoretical chapter makes the case for reading seventeenth-century French travel writing to the Caribbean in situ. Using Édouard Glissant’s notion of point of entanglement, it argues for a shift in perspectives that would seek to undo the colonial bias of early modern texts and seek other entangled ramifications of French Caribbean literature. In so doing, the book brings attention to ways in which enslaved and Indigenous peoples actively contributed to shaping early colonial society and, indeed, the representations of it. The first section discusses discourses of silencing around French coloniality in the period and presents the theoretical points of departures that have been guiding the work. The following section is devoted to a more thorough discussion of the notion of baroque and how this book uses it as an operative concept to read through the entanglements of travel writing. The third section gives a contextual framing for the analysis. It sketches the history of the period that the travel narratives describe and presents the population of the islands. Finally, the fourth section offers a more detailed account of the travelogues, their writers and the predicaments that dictated these texts, and ends by outlining the chapters or points of entanglement that will be approached, namely geography, the self, and language.

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“The Baroque and the Neobaroque” (1972)

Cited by 15 publications

References 55 publications

“Neither Here Nor There.” The Experience of Borderless Nation in Contemporary Dominican-American Literature

“Neither Here Nor There.” The Experience of Borderless Nation in Contemporary Dominican-American Literature

Brigid Brophy’s In Transit, or the Post-war Novel’s Transition from an “Exhausted” to a “Replenished” Form

Introduction: Tracing Entanglements in the Seventeenth Century Caribbean

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