Abstract:Spectacle, once a key term for critical theories, has had limited theoretical development in recent decades. To make sure the concept remains relevant today, this paper turns to actor-network theory (ANT) and assemblage theories to reconceptualize what the spectacle is and how it operates today. Working with a case study of a controversial urban spectacle in southern Chile – a new shopping mall, the “Mall Paseo Chiloé” – this paper explores a set of findings that illustrate what these approaches have to offer.… Show more
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