Abstract:Taking up Philip Sidney’s brief but provocative claim that the “chief life” of modern verse “standeth in that like sounding of words, which we call rhyme,” “The Artificial Life of Rhyme” asks what it might have meant to locate something called “life” in the notoriously conspicuous piece of artifice called rhyme. By coupling a study of early modern poetic and rhetorical theory with a close reading of the Maleger episode in book 2 of Edmund Spenser’s Faerie Queene , this essay argues that the Spenserian stanza a… Show more
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