Abstract:The chanson de nonne presents stereotypical images of young women whose bodies and voices are trapped within the confines of a nunnery. Close examination of the architectural metaphors used to describe virginity and chastity in the Middle Ages allows comparisons to be made between the structures — metaphorical, musical and textual — that held fictitious nuns within the frame of the clerical imagination at the centre of thirteenth-century motet production.
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