The Arrival 64${6 \atop 4}$ Chord in Wagner's Die Walküre: Types, Function, and Dramatic Meanings
JI YEON LEE
Abstract:This article applies Hatten's (1994) concept of the ‘arrival ’ – a cadential that resolves tonal or thematic instabilities without necessarily proceeding to V(7) – to cadences and cadential gestures in Wagner's Die Walküre. It identifies and describes three essential types of arrival chord: a cadential becoming I and launching a new leitmotivic passage (type 1); one continuing in the cadential progression and initiating a new leitmotivic passage (type 2) and one continuing in the cadential progression and b… Show more
Set email alert for when this publication receives citations?
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.